Showing posts with label imperfection. Show all posts
Showing posts with label imperfection. Show all posts

Saturday, October 22, 2011

Buddha's River Analogy continued: Why We Crave the Shores

In a previous talk, I shared the Buddha’s analogy of a river to explore The Middle Way. We have looked ar various aspects of it, and today you will have the opportunity to explore for yourself what is on the shores of your own river and why it draws you.

Both the banks of the river, though they look so different -- one a lush jungle of opulence and indulgence, the other an arid desert of strict self-denial -- are really quite similar. They both lure us deeper and deeper inland with promises that if we just go a little further, we will find ultimate happiness. Whether it’s through acquisition or austerity, the message is still the same: Wherever we are right now is not okay. Change is necessary. The here and now is flawed. We are flawed and in need of changing.

Perhaps you say that message is not a bad one because none of us is perfect. We are each flawed, and therefore in need of changing. And then you add that the world we live in is not perfect and in need of fixing. Maybe yes, maybe no, as the farmer in the Taoist teaching story says. If you are not familiar with this story, it goes something like this:

A farmer had a plough horse to help him tend his fields. One day the horse ran away. His neighbors told him how sorry they were for him. How would he till his field? What a terrible misfortune had been laid upon him, and he didn’t deserve it, he was such a good man, such a hard worker. But the farmer surprised them when he said, ‘Maybe it’s a misfortune, maybe it’s not. Who knows?’

The next day the horse returned, and along with him came some other horses. Now the neighbors exclaimed, “What great fortune for you! You are the luckiest man! You deserve this good luck.” But the farmer surprised them again when he said, “Maybe yes, maybe no. Who knows?”

The next day the farmer’s son rode one of the new horses and fell off, breaking his leg. The neighbors said, “Oh my, this is a terrible stroke of bad luck!” And the farmer surprised them again when he said, “Maybe yes, maybe no. Who knows?”

The next day conscription officers came to the area to draft all able-bodied young men into the army. Since the farmer’s son’s leg was broken, he was allowed to stay home with his family. The neighbors, some of whom had tearfully seen their sons trudge off to war, exclaimed at the uncanny good fortune of the farmer. And this time they were not surprised when the farmer said, “Maybe yes, maybe no. Who knows?”

As you can see this story could go on and on. It’s useful to think of this story the next time we notice ourselves reacting as the neighbors did. We can pause and question the truth of our assumptions about a situation. We could withhold judgment and open to possibilities within any situation.


Nostalgic amnesia
It seems to be in our nature to see the world as it is right now as more flawed than it was in the past. People ask, ‘What period would you go back to if you could time travel?” as if there was some idyllic time when all was right in the world. This nostalgic amnesia really gets in our way of being present with what is. I just saw an interview on The Colbert Report with the author Stephen Pinker about his book, ‘The Better Angels of our Nature: A History of Violence.’ In it, he points out the statistical fact that we are living in the most peaceful time in history. Now of course this is per capita and there are way more people now, but even so this may seem contrary to our own sense of the way things are. This is nostalgic amnesia.

In class I brought up a decade that many people wax poetic about, a decade remembered as all soda fountains, felt poodle skirts, bobby socks, etc. But they choose to forget that the 1950’s and early 60’s was a time of ongoing degradation based on skin color, gender and sexual orientation. I remember children with downs syndrome either being hidden away in secret back rooms of homes or institutionalized, held in huge rooms naked. I saw this room with my own eyes when our school choir went to sing up at ‘Napa,’ the mental hospital for the San Francisco Bay Area. It was a decade full of fear of nuclear war. Many of us never expected to make it to adulthood, envisioned being evaporated en masse or dying slow painful radiation deaths. Some built fall out shelters to save themselves and their families and to keep out the hoards of neighbors who would want food. It was a time of paranoia, people seeing ‘a red under every bed.’ I could go on, but I think you get the idea. It’s a both/and situation. Yes, there were wonderful things about that decade too, but no era has ever been or will ever be perfect.

One student pointed out after class that things may seem worse now because we are more informed about everything that is going on around the world. She said that her experience of the 1950’s was very protected, not exposed to the things I mentioned above, but now she feels bombarded with a 24 hour a day influx of information. It’s challenging to know at what level to adjust our filters for all this input!

The technological advances of our age are a wonderful example of the ‘maybe yes/maybe no’ quality. On the one hand these technologies bring amazing abilities to stay connected over distances with family and friends. On the other, we can easily manage to never know our neighbors, as we come and go in cars, pushing a button to open our garage doors and closing ourselves into our contained spaces. Thus, we feel isolated and disconnected, even though we are carrying on text, twitter, email and phone conversations all day long. Of course we can easily remedy that situation by making a concerted effort to know our neighbors, to create real community, to participate in local government and organizations instead of only focusing on national and international situations. These technologies bring the ability to co-create a leaderless revolution. They bring the possibility of identity theft, of governmental invasion of privacy, of those with fear-based motives reaching our children with messages they are not able to defend against, of fear-based advertisements invading our homes and our minds before we realize we have been seduced or inducted.

This could well be the reason meditation has become so sought after now. It is needed so we can each find a way to be skillful in dealing with these challenges.

So the wise person doesn’t put on blinders but is able to hold all of what is occurring, recognizing the yin/yang quality of being, finding a state of equilibrium, understanding that these are and always will be ‘the best of times and the worst of times.’ Dickens claimed that in his opening line of ‘A Tale of Two Cities’ about the French revolution.

‘May you live in interesting times.’ Is that a Chinese blessing or curse? Both! And we certainly do live in interesting times. How grateful I am to be alive to witness and participate in this fascinating period.

The recognition that nothing is perfect and was never meant to be perfect is very liberating. The astro-physicist Stephen Hawking says the universe was created from two forces: gravity and imperfection. Watch the first few minutes of this program to see his explanation.

With only gravity there would be a static unchanging uniformity, but imperfection provokes gravity into a dance so that the planets orbit and cycles occur that would not otherwise have been necessary. So imperfection has been getting an awfully bad rap, considering its importance in the creation of life itself!

I belong to Toastmasters, an international club to help people overcome their fear of public speaking and develop leadership skills. For the past few years I have been able to see incredible transformations in people in the club. Almost every member joined in order to change, in order to improve ourselves and our skills. Our motivations were anchored in this discomfort with who we felt ourselves to be in relation to the world.

But the transformations that have occurred are not from the elimination of imperfections but from the release of the fear of letting those imperfections show. The speakers who are most enjoyable to watch, most able to convey their message and connect with the audience, have learned how to relax into their shared humanity. They are completely themselves at the podium. And because they are relaxed and sharing openly of their own experience and knowledge, their audience can relax and take in what the speakers are saying.

The more we hold back, the more we protect who we hold ourselves to be, the harder we try to be perfect, the less successful we are. True transformation is a process of relaxing, noticing and releasing tension (which when in front of an audience exhibits itself in a variety of distracting ways,) making eye contact with others that reminds of of our connection, realizing that this is a practice and failure is simply a way we learn, and then staying in the present moment as much as possible with what we have to share.

If this sounds a little bit like how we begin meditation, then that really isn’t very surprising.  Coming home to ourselves, our true selves, is the key to letting go of the discomfort with who we feel ourselves to be in the world.

In Toastmasters, the most engaging and enjoyable speakers have in a way polished up their imperfections. The other day a club member talked about how unhandy he is in such an engaging and entertaining way that he won the spontaneous speaking award (Table Topics ribbon) that day. If he were to become handy around the house, maybe his wife would be happier because she wouldn’t have to hire someone to do those tasks my fellow Toastmaster cannot do, but the world would be poorer in a way I can’t explain, but I think you understand.

Think of someone you love who died. Isn’t it often the very quirks that drove you most crazy that you miss about them after a while? Isn’t it those very imperfections that make you smile?

There are Toastmasters who get caught up in a state of paralysis, afraid to get up and speak because they have not reached their goal of being perfect speakers and don’t want to embarrass themselves. Sometimes this paralysis keeps them from coming to meetings, even though they keep paying their dues because the intention is still there. But if they just keep showing up for meetings and taking roles that require them to speak in very non-threatening way (explaining their role at the beginning of the meeting and following up with a little report at the end of the meeting), and occasionally getting up for two minutes to answer a posed question, slowly but surely their confidence grows.

This is true in so many aspects of our lives, isn’t it? We don’t have to be Toastmasters to recognize the pattern we get into when we get inspired to improve ourselves in some area. Perhaps we join a gym to give ourselves the opportunity to get in better shape. The same pattern happens. If we go, we realize it’s a supportive atmosphere (hopefully!) and that we feel better for having done it, but if we don’t attend, we get stuck in that place where we feel disappointed in ourselves and stuck. We want that perfect muscle tone, that slimmer body now! We don’t want to have to see ourselves in the gym mirrors or compare ourselves to others who seem perfect. They’re not, of course. But some part of ourselves plays that game in our heads and we stay away, defeated and uncomfortable with how we perceive ourselves to appear in the world.
In the grueling ongoing effort to become more beings, are we hoping to trade in under-valued traits and attributes for ones that are more in demand? Or do we really just want to be more at home in our own skin?

It’s also true in developing a regular meditation practice. I honor my students for taking time out of their busy lives to come to class with such dedicated regularity. If they are in town, they are here. They carve this space out of their week and arrange their lives around it. Many of them have also managed to carve a half hour out of their day for a daily practice of meditation, as I hope all readers of this blog do. And just like the speech club and the gym, meditation practice is primarily a matter of showing up. What happens after we have set that intention to practice, that intention to be present and compassionate with ourselves, arises naturally. We don’t have to worry about the outcome. It is enough to be here.

For real transformation to occur, we need to be fully present and fully aware of what is occurring in this moment. Only then, anchored into sensation, can we recognize the mindlessness of habitual patterns that drag us ashore into jungles of desire or deserts of self-negation. Only then can we see that it is not our lack of uniformity that is causing us misery, but habit of striving for some distant vision of happiness where we or the world are different.

The river analogy applies to all of us, but each of us sees the banks differently. At times my indulgence bank is lined with hot fudge sundaes. Knowing this helps me to recognize it as the seductive jungle that it is. I am not clear what the sweet treat promises, what the allure is. That’s something I could explore and it would be very beneficial in order to be able to return the Middle Way river and not sink the boat with my over-indulgence! But would I only be comfortable in my skin if there was less of it? That’s another area for me to explore.

What line your shores? What inner aspects are jumping up and down, waving signs and calling out to you? Notice the expressions they use, how disrespectful they are, how they call you names to demean you.

What is so alluring on the banks of the river for you.  What is the promised goal as you trudge through the jungle of over-indulgence or the desert of self-denial? There will be a tangible fear that draws you to each shore. Can you name the fear? At core all our fears are the fear of separation, the fear of isolation, of encapsulation, of rejection. But on the surface they have many different names and appearances.

In class we did an exercise of exploring our own experience of being on the river, first looking at one shore, then making notes or drawing what was there; then looking at the other bank and doing the same. We also made any notations or sketches about the boat, the river and what we saw ahead of us. This might be a self-exploration exercise you would like to do for yourself after meditation practice, when you are feeling calm and spacious.

You might picture the images that draw you as cardboard cutouts set up as a lure with nothing of substance behind them. See if that helps to remind you that there is no fulfillment possible on either shore.

When we are fully present on the river, this river that runs through the center of our being, this river of presence and compassion, we feel fully enlivened and at one with the universe, this universe formed by imperfection.

Wednesday, July 22, 2009

Meditation & Creativity: WABI SABI

We have been exploring creativity and I would like bring in the idea of wabi sabi, the Zen Buddhist concept of finding beauty in imperfection and impermanence. Wabi sabi is, in effect, the expression of fully living in the moment brought into the realm of aesthetics. Fully living in the moment we see things as they are, letting go of the overlay of ideals of perfection. We treasure wrinkles, cracks and the patina of age.

I am presenting this in our exploration of creativity because artists instinctively embrace wabi sabi. I remember the uproar among a class of life drawing students when their teacher kept hiring models who were young, slender and flawless. The artists wanted some folds, some wrinkles, something interesting to draw. They wanted variety in age and size. What they didn’t want was something they could have copied out of Playboy magazine.

Although there is nothing wrong with the dewy beauty of youth, when we limit ourselves to only embracing that fleeting moment when a body or a flower is in a state of full blossom, then we are caught in the trap of perfection, and we are promoting this limited view in our art – that only one moment in the life of a flower or the life of a body is beautiful. This makes for very stagnant art and a life full of constant dissatisfaction as we cling to such a limited view. In other words Dukkha!

This is equally true in writing as in the visual arts. A character with quirks, flaws, imperfections is a delight to write about and read. A character without foibles is a character that feels surface and not fully drawn. We instinctively know that no one is perfect, nor would we want them to be.

We have been weaving the concept of finite and infinite throughout our exploration of creativity, and here is an excellent example. How finite a view it is to value only perfection, only youth, only symmetry, only sameness! Dip into the infinite beauty of impermanence and you really get into the rich and juicy stuff of creativity.

Nature, the greatest teacher of all, constantly shows us that all is impermanence. Staying connected with nature helps us to befriend this truth. The lush green leaves of spring become the dry yellow leaves we scuffle through on the sidewalk in the autumn. That is not sad, it is simply true. As we age, as family, friends and beloved icons die, this valuable lesson comes home to us again and again. Becoming spacious enough in our hearts and minds to openly embrace the fleeting nature of life is one of the basic benefits of meditation. And having a term like wabi-sabi helps us to celebrate it, even have fun with it.

The word wabi comes from the root word ‘wa’ which means, as I understand it, harmony, tranquility, peace, balance. Sabi means the bloom of time, or all the wondrous transitions that come with aging: Tarnish, rust, etc.

When we bring wabi sabi consciousness to our bathroom mirror, we can develop an appreciation for our lumps, bumps and wrinkles. We can soften our view, lighten up on our constant striving for perfection. Even artists who naturally prefer the beauty of wabi sabi in the world around them can be quite merciless when it comes to their own bodies. But there’s no way around it. Our bodies are imperfect and aging. Can we release for once and for all the filter of the perfect lithe youthful body that was or never was, and lovingly care for our bodies as we would for the fine cracked china inherited from our favorite grandmother? To whatever extent we can release ourselves from the ruthless dictates of that stagnant aesthetic of perfection, we open to the possibility of a joyous life. We can allow the authenticity of our character to shine through, adding luster to our wrinkles and a twinkle to our eyes.

As with all aspects of our practice, this is not a forced transformation but simply noticing our thoughts and emotions. We notice the sour, unkind, miserly view we tend to have of this corporal manifestation where our consciousness resides for now. This noticing sets off a subtle, then not so subtle shift. At some point the ‘shoulds’ start to soften and fall away. Only then do we stand a chance of coming slowly into a state of acceptance, then perhaps even enjoyment of the wabi sabi of our bodies.

A little gratitude practice is always useful here as well. For all its flaws how grateful we are for this body that works so hard and so well for the most part. This body that has carried us through thick and thin. This body that has tolerated so much on our behalf. Yes, gratitude practice helps to put things in perspective.

Now wabi sabi isn’t just about appreciating imperfection. It is also about paring things down to their bare essentials. An artist does this when she looks at a landscape or a figure she wants to paint and then simplifies it on her canvas. She seeks out what speaks to her and composes her painting accordingly. She recognizes what is aesthetically vital to the composition and doesn’t need to duplicate nature in every detail.

We can do this in our lives as well. Paring down our possessions to only what is truly useful, what has a vibrancy in our lives, is a wabi sabi process. D.T. Suzuki described wabi-sabi as "an active aesthetical appreciation of poverty." He said it is “to be satisfied with a little hut, a room of two or three tatami mats, like the log cabin of Thoreau, and with a dish of vegetables picked in the neighboring fields, and perhaps to be listening to the pattering of a gentle spring rainfall."

Wabi sabi is finding beauty in simple things, each in their season. As we age, most of us feel this call to simplify, if for no other reason than we don’t want our children to have to be burdened with too much of the detritus of our lives when we die. But even for ourselves, for our own lives, this ongoing process of divesting and simplifying has rich rewards in lifting the weight of concerns. It seems almost to be a biological phenomenon that we do this.

An example from my own life just happened this week. We are in the process of reorganizing our basement storage area, and a lot of what we are doing is reassessing our feelings about these objects we have been storing. One such object is a round oak table that we bought when we were first married. It was stored in the basement of an older couple. They were ready to let it go and sold it to us for $25. That table became the centerpiece of our lives throughout the years when our children were very young. We had our family meals around it. The children did their homework there. We played monopoly, scrabble and yahtzee there. But eventually it was too small to seat our whole family or dinner guests. So for many years now it hasn’t had a central role in our lives, and ultimately it ended up in our basement. None of our children wanted it, so finally I put an ad on e-bay at a reasonable price. No takers. I posted it again asking for ‘Best Offer.’ No takers. Then this week I put ‘Free to Good Home.’ Immediately I heard from a couple in Rohnert Park who drove down Sunday evening and picked up the table. They arrived in their SUV with their two children reading comics in the back seat as we loaded the base into the back and the father Miguel strapped the round top on the roof. And off they went, and I was so happy. The table will once again be central to the lives of a young family, and we are the older couple who is letting go of whatever no longer serves us.

For me there’s beauty in that sense of continuum, our dear oak table finding its new home. And wabi sabi is all about beauty. Here’s a definition of wabi sabi beauty: It’s a mellow beauty that is striking but not obvious, that you can imagine having around you for a long time.

When seen this way, it becomes clear what in our lives has value and meaning, and what we can release so that we can live more simply and with greater authenticity.

It is this word authenticity that keeps coming back to me as I study the concept of wabi sabi. Because it wouldn’t be wabi sabi to buy a table that had been distressed. It’s only wabi sabi when the scars, stains and cracks are authentic, the result of having been fully in the world. Wabi sabi is the beauty of a life lived. It is our stretch marks, our wrinkles, and all the rich living that caused them. It is appreciating what is and letting go of some false inauthentic ideal. It is not just accepting the wear and tear of aging, but celebrating its true authentic beauty.